The keyed version of Shot 17, I've inbetweened the lady already so only Bianca needs to be inbetweened. In the original animatic, she wasn't this far away from the bench so I had to have her step back a few steps to sit back down which added more time. To save time, I reused a lot of Bianca's poses from Shot 15 - so unlike my other shots, which usually involves a messy stickman drawing to figure out the action, I roughed this shot out as I went along.
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