FOR TEAM OLD LADY: Mall Backgrounds [REVISED]

From Emma (director)'s request, I have made the pillars darker and added brick texture so it blends in better with the other backgrounds. We've realised that BG 40 and 42 are the same backgrounds so I'm just going to leave BG 42 out.

BG40 
(SHOTS 68/ 70/ 75/ 78)

BG41 
(SHOTS 69/ 71/ 73)

BG43 - PAN UP OF POSTER (DOUBLE IN HEIGHT)
(SHOT 72)

BG44
(SHOT 74)

ZOOMED IN BG45
(SHOT 76)

BG45
(SHOT 79)

BG46
(SHOT 77)

FOR TEAM OLD LADY: Mall Backgrounds

BG40

BG41

BG43 - PAN UP OF POSTER (DOUBLE IN HEIGHT)

BG44

BG46

FOR TEAM COLOURLESS: [REVISED] SHOT 15 BLOCK PASS

I've been showing Sara (the director) my animation of Bianca and she's been responding with a lot of helpful tips on specific details on Bianca. From Sara's advice, I've altered Bianca's eyes and nose.

FOR TEAM VELO ETOILE: UV mapping the living room

Living room in Maya modelled by Brooke Hayes
UV-mapped by me (Wai-Han Lau)
Second time UV-mapping a whole scene for the team, I've learnt a lot more tricks for UV mapping this time around so it was quicker! These included ctrl-right click to move shells in UV and transfer attributes for copying UV maps onto an identical object - this was especially helpful as the christmas tree had several duplicated decorations

FOR TEAM COLOURLESS: SHOT 15 BLOCK PASS

I've keyed shot 15 and have drawn charts for the inbetweener. It's the first time I've had a go at doing charts, so I'm hoping that it's understandable.
Also, I did Shot 14 a while a go but forgot to upload it. The shot is just a still image of the teddy bear but at least it's something!

FOR TEAM COLOURLESS: Version 02 of the Book prop

I redrew this so the pages looked more like a book and removed the unnecessary writing,
to make the "titles" more readable and clear

Back and side view

 

FOR TEAM VELOETOILE: Storyboard Sequence 03 redo

New version of Sequence 03, there was only a few panels added but I decided to move scenes in order - this is the complete set of panels for sequence 03. The new panels (Scene 02 to 08) were added by Alison, the director, in roughs and I drew/ cleaned them up.